Shot by Maxwell Tomlinson with creative direction by longtime collaborator Stephen Mann, the campaign captures ADI006 in a series of in-between moments. Tomlinson’s lens lingers in liminal spaces — under overpasses, along fencing, where soft ground meets concrete — framing the collection with a sense of quiet interruption. There’s a raw stillness to the images: movement is suggested but rarely resolved. Outfits hang loosely, gestures are withheld, and expressions remain unreadable, echoing the collection’s play between control and collapse.
ADI006 is a clash of timelines, where tradition is subverted and formality is fractured.